Style delineation and extravagance Italian craftsmanship converge in Fida's Rodisegno prize

In a move that Fida pioneer, Patrick Morgan, portrays as "the beginning of an excursion and organization among craftsman and craftsman," the Design Outline and Computerized Expressions people group and Italian embellishment house, Rodo, teamed up to make the "Rodisegno Prize - Drawing a Symbol."

The opposition is a consequence of Fida's expect to advance greatness in the field of design craftsmanship, improve best practices, and empower specialists to carry on with a more economical life as imaginative experts. Starting around 1956, Florence-based Rodo has typified fabulousness, advancement and the glad practice of high quality in Italy encapsulated by its particular rattan craftsmanship. "For quite a while I have needed to have Rodo rethought in a creative manner. Who better than Fida Around the world, which addresses youthful global artists?" says Bona Bonarelli for Rodo. "In a world comprised of pictures, I thought it was fundamental to likewise try different things with an alternate perspective, that of outline."

Handcrafting

With the support of the District of Milan six global craftsmen - Connie Lim, Chris Gambrell, Ekaterina Demina, Joanna Layla, Kelly Bailey and Hossein Borojeni- - were approached to rethink six notorious Rodo items. A global jury was gathered to pick a victor which included Tommaso Sacchi, Councilor for Culture for the District of Milan; Angelo Flaccavento, writer and style pundit; Simone Marchetti, European Publication overseer of *Vanity Fair* and Manager in Head of *Vanity Fair* Italy; Andrea Tenerani, Proofreader in Head of *Icon* magazine, and Betty Morgan, Head of the Kenneth Paul Block Establishment.

London-based artist wins first worldwide Rodisegno prize

The victor, London-based LA-conceived Connie Lim who shows life drawing at CSM, Kingston and London School of Style, was welcome to Milan to get the award during Milan Design Week at a selective occasion held at the Casa del Manzoni Gallery in Through Marone.

Lim, who has experience working with brands depicts her way to deal with the short: "I generally give my clients choices and I did a work of art and trial one. It's an Italian legacy brand however I had an inclination they needed something new and new. So I really created two proposition in various classifications."

For the exemplary choice Lim chose the brand's shell molded grasp and after discovering that the plan was propelled by Botticelli's "The Introduction of Venus" she separated her variety range from that canvas and drew thoughts for the piece. "The place of the hand resembled a birth, similar to it was holding a child nearly," she says.